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Concursos › Clermont-Ferrand International Singing Competition
Clermont-Ferrand International Singing Competition
Próxima edición
- Edición
- 2027
- Fechas
- 20–24 de abril de 2027 (final, 24 de abril de 2027)
- Lugar
- Clermont-Ferrand (Francia)
- Plazo de inscripción
- 15 de diciembre de 2026, a medianoche (GMT)
- Cuota de inscripción
- 60 € para los cantantes seleccionados (60 € en total para un dúo de canto y piano), que se pagan del 25 de enero al 8 de febrero de 2027
Información general
Concurso internacional bienal para cantantes líricos organizado por la Opéra de Clermont Auvergne. En lugar de la habitual escala de premios, los cantantes seleccionados obtienen papeles en producciones escenificadas o en versión de concierto; la edición de 2027 incluye «L'Amour masqué» de Messager, «Ariodant» de Méhul y un programa de dúo de canto y piano con lieder de Schubert.
- Entidad organizadora
- Opéra de Clermont Auvergne
- Instrumentos
- Canto (ópera, opereta, barroco, lied)
- Categoría
- Lied y canción de concierto
- Límites de edad
- No age limit
Bases y repertorio
Inscripción y cuota
- No age limit, any nationality. Apply online by 15 December 2026, midnight GMT. Singers may apply for L’Amour masqué, Ariodant or both. Duo Piano–Voice is a separate track and cannot be combined with those roles.
- Submit scanned ID/passport, biography up to one page in French, English or Italian, copyright-cleared JPEG portrait at least 1 MB and 300 dpi, compliant programme and required video links. Role applicants add scans of vocal/piano scores for free selections. Duo submits both IDs plus individual or duo biography and image. The public checklist does not list letters.
- Results by 25 January 2027. Selected entrants pay €60 per solo candidate or per duo by transfer from 25 January to 8 February. Role contestants report 19 April 18:00 and duos 20 April 18:00, at the Opéra-Théâtre.
Eliminatorias y duración
Video preselection · repertoire depends on track
- L’Amour masqué only: one French aria from a 20th-century operetta or musical, one French aria from the late 19th or 20th century, and a spoken French text up to two minutes. Ariodant only: one French aria from 1770–1830, one Mozart aria in Italian and the spoken French text. Both roles: 20th-century French operetta or musical aria, French 1770–1830 aria and spoken French text.
- Piano–Voice duo: one Schubert Lied and one free aria, recorded together. Singing videos recorded in 2025 or 2026 with live piano or orchestra, singer clearly visible. Provide viewable links and put candidate, composer and work in the filename.
Live programme · roles or Piano–Voice duo
- Role candidates use the linked role-by-role programme for compulsory solo and ensemble numbers and the count of free selections. The first round also requires a memorized spoken French text of up to two minutes. Ariodant uses a period piano at A=430.
- Duo: choose three Schubert Lieder (maximum 10 min each) and one free aria, mélodie or Lied (maximum 10 min), plus a spoken duo presentation in French or English, maximum two minutes.
Round 1 · 20–21 April · up to 10 min of music
- Sing one selection assigned from your submitted list, communicated when registration is confirmed in February. The jury can ask for an extra selection. Give the required spoken text or duo introduction.
Semifinal and final · 22 and 24 April · up to 10 min per round
- Semifinal includes an artistic workshop. In each round sing one jury-assigned selection from the submitted programme, with an additional one on request. Finalist rehearsals on 23 April.
Repertorio
- Use original keys and memorize singing repertoire and spoken texts. Bring piano/vocal sheets for all free selections. Official accompanists are required for role tracks. No voluntary programme changes after the application deadline.
Fuente: Official conditions and checklist · Exact required music for each role and duo · Official schedule and stage rules
Jurado y premios
Jurado
- Karine Deshayes (honorary)
- Louis-Noel Bestion de Camboulas
- Eve Coquart
- Jean-Paul Davois
- Jean-Michel Dhuez
- Juliette Guignard
- Lodie Kardouss
- Priscille Lafitte
- Josquin Macarez
- Richard Martet
- Alain Mercier
- Antoine Palloc
Premios
- Premio del público «Bernard Plantey»: 1000 €
- Young Audience Prize 'Ville de Clermont-Ferrand' EUR 1,000
- Paid engagements for laureates (e.g. EUR 5,000 per role in L'Amour masque, EUR 3,860 per role in Ariodant, EUR 1,500 per artist for a recital)
Ediciones anteriores
- 2025 — Clermont-Ferrand fuente
Audience Prize and Young Audience Prize: Winona Berry; Prix Generation Opera: Elsa Angervo; New Year Concert Prize: Grace Durham; Prix Hotel Mercure: Guillaume Ribler; Didon et Enee roles: Blandine de Sansal, Clara Penalva, Louise Bourgeat, Eugenie Lefebvre; Le Messie: Louise Bourgeat, Juliette Gauthier, Eric Finbarr Carey; Piano-Voice Duo: Leontine Maridat-Zimmerlin and Louis Dechambre - 2021 — Clermont-Ferrand fuente
Prix Cia Opera Sao Paulo: Francesca Pia Vitale (soprano, Italy); Recital prize: Beatriz Baptista (soprano, Brazil); Audience Prize and Young Audience Prize: Julia Muzychenko (soprano, Russia) - 2019 — Clermont-Ferrand fuente
Audience Prize: Chrystelle Di Marco (soprano, France); Young Audience Prize: Steeve Michaud (tenor, Canada); Partners' Prize, male voice: Jiwon Song (baritone, South Korea); Partners' Prize, female voice: Ekaterina Godovanets (soprano, Russia); Centre Francais de Promotion lyrique Prize: Jean Miannay (tenor, France); Adami Prize, Italian repertoire: Solen Maingueme (soprano) and Louis Zaitoun (tenor), both France
Resumido a partir de fuentes oficiales; última revisión: 14 nov 2026. Fuente principal