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Konkursy › Géza Anda Competition
Géza Anda Competition
Najbliższa edycja
- Edycja
- 2027
- Termin
- 25 maja – 5 czerwca 2027 (etap 1: 26–28 maja, etap 2: 29–31 maja, półfinał mozartowski: 2–3 czerwca, finał: 5 czerwca)
- Miejsce
- Zurich (Mozart semi-final in Winterthur)
- Termin zgłoszeń
- 1 lutego 2027 (zgłoszenia od 19 listopada 2026)
Źródło: geza-anda.ch
Przegląd
The Concours Géza Anda is a triennial international piano competition in Zurich, known for its Mozart semi-final with the Musikkollegium Winterthur and a final with the Tonhalle Orchestra Zurich. The three prizewinners receive concert management and engagements from the Géza Anda Foundation.
- Organizator
- Fondation Géza Anda
- Instrumenty
- Fortepian
- Kategoria
- Fortepian solo
- Limity wieku
- Open to participants of all countries born after 26 May 1995 (2027 edition)
Regulamin i repertuar
Zgłoszenia i opłata wpisowa
- All nationalities, born after 26 May 1995. Apply online between 19 November 2026 and 1 February 2027. Provide your proposed repertoire across rounds, two recital concept notes and applicable cadenza choices. The public repertoire PDF does not specify a recommendation letter or application fee; confirm any extra fields once the portal opens. Invitations by end of March; orientation, draw and piano trial 25 May.
Etapy i limity czasu
Application video · approximately 30 min · three parts
- In order: one Domenico Scarlatti sonata of at least three minutes; then one or more works/movements dated 1765–1828; then one or more works/movements from 1829 onward. Exclude all works and excerpts in the official live repertoire lists. One unedited take with hands visible and face visible at least at the start. Use an unlisted YouTube link. Use another platform only in an emergency after arranging it with the foundation.
- Major prizewinners of the International Chopin or Arthur Rubinstein Competition since 1 January 2024 may replace the video with a public link to that competition’s final or a solo recital of at least 30 min.
Round 1 · 26–28 May · prepare three pools · play up to 25 min
- Part 1: either Bach WTC I BWV 846–869, one complete prelude and fugue, or one piece from each French composer: Rameau La Poule or L’Egiptienne; Couperin Le Tic-Toc-Choc or La Couperin; Royer L’Aimable or Le Vertigo.
- Part 2: prepare two Beethoven sonatas from Op. 2 No. 1, Op. 10 No. 1, Op. 13, 26, Op. 27 No. 1 or 2, Op. 81a, 101, 109. Part 3: prepare three études from Chopin Op. 10 No. 1, 2, 4, 5, 7–12, Op. 25 No. 1–6 or 8–12, or Liszt S. 141 Nos. 1–6 or S. 144 Nos. 1–3. You are told 90 minutes before the audition what the jury wants from your prepared choices. Play in part order.
Round 2 · 29–31 May · two alternative programmes, each 50–55 min
- Each: one complete major work from PDF Part A plus one or more works from Part B. Parts A/B cannot recur in the other programme. Optionally add one work up to 10 min, outside the video and all official live lists; this optional work alone may recur in both programmes. Order free. Submit a short separate programming commentary for each. See pages 5–8 of the linked PDF for the complete A/B pools.
- Major options include Beethoven Op. 2 No. 3, Op. 22, 31 No. 2, 57, 110, 111; Mozart K. 333 or K. 533/494; Haydn XVI:50 or 52; Schubert D 537, 664, 784, 960 (no repeats) or all D 899; Schumann Op. 6, 9, 15 or 16; Brahms Op. 5, 9, 24, 35 (both books) or 117; Chopin Op. 35 or all four Ballades; Liszt Dante Sonata or Ballade No. 2; Ravel Gaspard de la nuit; Bartók Sonata or Out of Doors.
Mozart semifinal · 2–3 June · prepare two concertos
- Choose two Mozart concertos: K. 450, 456, 466, 467, 482, 488, 491 or 537. Specify cadenzas in the form. Using Géza Anda’s cadenzas is optional. Jury chooses one for performance with Musikkollegium Winterthur and announces it with the six semifinalists.
Final · 5 June · prepare two concertos and a compulsory encore
- Select two by different composers: Beethoven No. 3 or 5, Chopin No. 1 or 2, Liszt No. 2 S. 125 together with Hungarian Fantasy S. 123, Rachmaninoff No. 2, Saint-Saëns No. 5 or Bartók No. 3. Also prepare Kurtág Játékok I No. 74 Perpetuum mobile or … feuilles mortes …. Jury chooses one concerto with the announcement of three finalists. Declare any cadenza in the application.
Źródło: Organizer, application and dates · Official rules and all repertoire pools
Jury i nagrody
Jury
- Gerhard Oppitz (President)
- Elena Bashkirova
- Numa Bischof Ullmann
- Ingrid Fliter
- David Fray
- Rico Gulda
- Momo Kodama
- Jinsang Lee
Nagrody
- 1. nagroda: 40 000 CHF
- 2. nagroda: 30 000 CHF
- 3. nagroda: 20 000 CHF
- Zaproszenia na koncerty w latach 2027–2030 i nagrody specjalne (m.in. nagroda publiczności, Mozarta, Liszta-Bartóka, Henle Beethoven, Narodowego Instytutu Fryderyka Chopina)
Poprzednie edycje
- 2024 — Zurich and Winterthur źródło
- 2021 — Zurych źródło
1st Anton Gerzenberg (Germany); 2nd Julian Trevelyan (UK); 3rd Marek Kozák (Czech Republic) - 2018 — Zurych źródło
1st Claire Huangci (USA); 2nd Jong Hai Park (South Korea); 3rd Sergej Tanin (Russia) - 2015 — Zurych źródło
1st Andrew Tyson (USA); 2nd Aleksandr Shaikin (Russia); 3rd Ronaldo Rolim (Brazil) - 2012 — Zurych źródło
1st Varvara Nepomnyashchaya (Russia); 2nd Dasol Kim (South Korea); 3rd Elmar Gasanov (Russia)
Opracowano na podstawie oficjalnych źródeł; ostatnia weryfikacja: 14 lis 2026. Główne źródło